257
6.0

小森林 2019

导演:
尼娅·达科斯塔
主演:
泰莎·汤普森,莉莉·詹姆斯,卢克·柯比,詹姆斯·贝吉·戴尔,兰斯·莱迪克,Charlie,Ray,Reid,布兰登·波特,Jeremy,St.,James,Ryan,Downs,Hayden,伊丽莎白·麦斯威尔,露西·克里斯蒂安,莫甘娜·肖,Jason,Newman,Amparo,Garcia-Crow,Rochelle,Robinson,乔·史蒂文斯,劳伦斯·瓦尔纳多,Lowell,Bartholomee,Max,Hartman,Allison,Moseley
别名:
未知
6.0
257人评分
英语
语言
未知
上映时间
未知
片长
简介:
泰莎·汤普森、莉莉·詹姆斯联袂主演独立新片《小森林》(Little Woods,暂译)。本片是集导演与编剧于一身的尼阿·达科斯塔的导演处女作。影片被形容为是一部现代西部片。故事讲述在北达科他州一座新兴石油城市中,一对姐妹奥莉(汤普森饰)、黛博(詹姆斯饰)为谋求更好生活而不惜干起了违法勾当。
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534
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马丁·弗罗斯特的内心生活
8.0
上映时间:202525PRCamTue, 03 Jun 2025 05:30:43 +080006062025630050303am25
主演:大卫·休里斯,伊莲娜·雅各布,迈克尔·因佩里奥利,索菲·奥斯特
简介:  what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip.  and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster).  unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality.  but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart.  go innocently.
534
正片
马丁·弗罗斯特的内心生活