西部巴西
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8.0|121220251231080707pm25 20:30 |正片
简介:
该片取材于1980年代一首著名的巴西民歌,讲述了大盗João的故事。João来到城市满怀希望开始新的生活,他的表兄给他提供了一份工作,条件是João要和他一起卖毒品。João代替表兄在交付毒品时出了问题,接着他发现他陷入了腐败的警察和疯狂的毒贩子之间的麻烦中。在躲避警察时,João遇到了参议员的女儿Maria Lúcia,自此他踏入了充满激情的恋情之路。导演René Sampaio虽然一直以美国犯罪电影的风格工作,但他仍旧保持着对巴西电影的忠诚。《西部巴西》是一个暴力故事,它传达出了对贫困、阶级观念和种族主义的寓意,该片深刻体现出了巴西新电影派西部片的精神。该部电影的配乐采用的是80年代流行的新浪潮和朋克音乐,这是一部有着独特声音、发人深省又令人激动不已的犯罪故事。
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马丁·弗罗斯特的内心生活
8.0
上映时间:202525PRCamTue, 03 Jun 2025 05:30:43 +080006062025630050303am25
主演:大卫·休里斯,伊莲娜·雅各布,迈克尔·因佩里奥利,索菲·奥斯特
简介:  what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip.  and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster).  unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality.  but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart.  go innocently.
534
正片
马丁·弗罗斯特的内心生活
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